Showing posts with label 2011 Athens Lit. Fest. Show all posts
Showing posts with label 2011 Athens Lit. Fest. Show all posts

Questions? by Bruce Fugett

What did you think of this year's Spring Literary Festival? What did you learn? If you went last year, did you think this year's festival was more or less interesting? Who was your favorite writer? Who was your least favorite? Did you enjoy the lectures or the readings more? Do you feel inspired by the words that you heard? Have you written anything noteworthy since the festival? What about during the festival? Aside from hearing the speakers, did you experience anything that inspired you?

Did you find Rita Dove to be beautiful in every possible way? Did it feel like she spoke directly to your Spirit? Did it feel to you as if she reached into your body, picked you up by your Soul, and peeled back the multiple layers of who you thought you were? Did she leave you sitting there with an entirely new and radically redefined concept of your Self and your duties as a human being and/or writer? Did you gain a new perspective by hearing her words? Did you notice her fingernails?

What was your impression of Rosellen Brown? Were you thoroughly enthralled by her readings? Or did she bore you with her almost intangible elaborations of the grasp that the ego has on humans? Did it inspire you to free yourself from your own sense of dignity? Did she get you to question your own death and the things you will be leaving behind? Did she remind you of a school teacher?

Did you enjoy Debra Marquart's reading and lecture? Did you like her excerpt from The Horizontal World? What about her other reading about being "The Other Woman?" How much of that did you think was based on her actual experiences? Did it make you question her morals? Or were you amazed at how blunt and honest an author can be? Did it inspire you by her showing how accepting one can be about their previous decisions? Did it show you that self acceptance is one of the keys to Happiness? Did you speak to her? Did she charm you with her knowing eyes? Could you believe that she is 54 years old?

Did Tobias Wolff make you laugh? What did you learn from his lecture? What did you think of his short stories? Did it shock you when you found out that he faked his way into college? Did he impress you with his knowledge of brain anatomy and function? What about his understanding of the human psyche? Did you enjoy his Freudian discourse in his short story about the funeral planning? Did you Love his sweet mustache?
If you asked him if you could touch it, do you think he would let you? Would you like to get lost in it? How many people do you think he has hiding in there at any given moment?

Did you like Padgett Powell? Did he make you question your concepts of what "writing" is? What would would you do if you suddenly found yourself standing in an empty room with him? Would you ask him questions? What would you ask? Would you be intimidated? What if he were to begin to ask you some questions of his own? Would you answer honestly? Would you at least be as honest with him as you are with yourself? What if he just didn't stop asking you questions? Would that make you feel uncomfortable? How long would you let that go on? At what point would you begin to search for an excuse to leave the room? Would there be any questions that you would be unable to answer? Would you just answer everything that he asks? Or would you just stand and stare at him in a complete and speechless bewilderment of the morbid and obscure corners that his Mind resides? Have I asked too many questions? Or was it just enough?

Finding Your Own Way

By: Olivia Picklesimer
I recently attended my second Spring Literature Festival at Ohio University and, just like last time, I was motivated to say the least. With the variety of authors that come to share their wisdom and talent with us, I’ve always found at least two that inspire me or that I just really connect with their work. This year it was the authors Rita Dove and Debra Marquart.
I most enjoyed Rita Dove’s lecture on her craft, the way that she works. She titled her lecture “Romancing the Stone” and gave several different analogies for interpreting it. She felt that it most reminded her of the Arthurian legend, advising us that if the fit isn’t right, it’s just not going to work. Instead, she told us to find the right stone, and then find the right way to romance it. Other pieces of advice that she had to offer were to write during your peak time, when you felt more energetic and inspired, and to find a way to work with your pitfalls or flaws. Finally, she insisted that we must believe that writing is so important that nothing else matters.
As for Debra Marquart, I most enjoyed her reading. Her first piece was an excerpt from her memoir The Horizontal World: Growing Up Wild in the Middle of Nowhere. Very detailed and descriptive, it was easy to envision the scenes of her life on the family farm. She also treated us to a more recent piece that hadn’t been published yet in which she describes her life as the other woman and how the tables eventually turned and she was cheated on herself. This was one of those pieces that I really connected with.
As I mused on what I had taken away from this year’s Lit Fest, I realized that, while admire both of these ladies as well as a host of many other authors, an emerging writer ultimately must find their own way. The way that one author works, for example Rita Dove working through the night and sleeping when the sun comes up, may not work for all writers. As she said in her lecture, write when it feels good to you.
This is definitely not to say that we can’t learn from them. Why else would we attend literature festivals and conferences? These people are older, wiser, and have been doing this a lot longer than we have; however, we shouldn’t take their advice and set it in stone, otherwise we’ll end up trying to romance the unromanceable stone. Use the knowledge and experiences that they have shared to find your own writing style and hone your own special craft for writing. Who knows, maybe in the future we’ll be returning to Ohio University’s Literature Festival, not as part of the audience, but as a revered author who has been asked to share their knowledge with a new crop of emerging writers.

As Promised.. PICS of Lit Fest 2011 :) by: Katie Owens


Lit Fest 2011, one of the BEST experiences of my life :)

 

 The OHIO University Inn has the MOST comfortable beds EVER!!!!

Katie Owens and Brittany McFarland

Katie Owens (Me), Rita Dove, Brittany McFarland
Brittany McFarland and Rosellen Brown

Brittany McFarland and Me :)
Inspirational Quote :)
 Tobias Wolff
Debra Marquart and Me :)
 Padgett Powell

The Old Tuberculosis Ward
 The Kennedy Museum (Old Insane Asylum)
 The Kennedy Museum (Old Insane Asylum)





Craft Lecture with No Craft

http://www.english.ohiou.edu/cw/slf_writer/1349
by Hayley Haugen

It's true: At the 25th annual Spring Literary Festival in Athens, Ohio, Padgett Powell essentially gave a lecture on craft with "no craft it in." 

During his talk, however, there were some  tidbits of advice to young writers, and he shared some funny anecdotes about Tennessee Williams and visiting Flannery O'Connor's cousin. 

The tidbits: "No one can tell you how to write."

"Figure out your biases and those of other writers."
"Fiction must deliver what it intimates it will deliver."
"Know what you want your sentences to do."
"Writing is controlled whimsy."
" Remain loose."
"The big and necessary rule of writing: making sense."

Chew on those tidbits for a while. How do they taste?

And finally, a quote Powell shared from O'Connor, whom he refers to as the Goddess Head -- can't argue with that one:


When I told you to write what was easy for you, I should have said, what is possible for you. 
 


 

A Few Words From Thursday by Paul Allan Frederick

I must share my total gratitude to Dr. Haugen.  Last fall, I had what I adoringly call, “a breakdown”; although a mini-breakdown, a breakdown none the less.  I had been under too much pressure from all areas of life last fall, and ended up not finishing the quarter with resolve to not finish my degree.  I had convinced myself, as being someone who is medically retired from a publishing company, that not only did I not have to finish school, but I didn’t have to go to school at all.   All I needed to do was watch TV and die.  Sure, I had obligations to my wife and daughter, but I figured that those obligations would come and go as well.  I just was over my head in school, and in life.  I was deeply depressed and stressed by my classes and my personal life.  As you may guess, I have serious health issues, mostly with my pancreas, diabetes, and depression.  But there is a list of other ailments that have to do with my kidneys, blood, liver, heart, throat, cholesterol, nutrient absorption, chronic fatigue, fibro-myalgia, atrophy, amputations, chronic pain, ruptured disc, and more.  Life IS pain.  And when pain is all there is, life becomes subject to a loss of proper perspective on determining whether or not you want to add the stress of school, family, church, and whatever else.  I tend to take on the weight of the world.  For some reason, I feel as though the wellbeing of everybody within my social sphere is my responsibility.  I don’t know why.  I feel as though I am here to teach people, but yet to care for their needs as well.  I desire for no person to suffer any ailment at all.  I know that I need to be careful not to cheat anybody of that opportunity to grow and mature as a human by overcoming difficulty and suffering.  But I cannot stand the thought of anybody that I love being subjugated to suffering of any kind.  Pretty much, except for an occasional exception, I pretty much fall in love with almost everybody I meet.  Of course I assume you are more mature than to think I mean romantically, but I generally love people.  I weep for their sorrows.  I hurt when they hurt, I mourn when they mourn, and I laugh when they laugh.  I yearn for all people to be well.  Even recently, in the news, when I saw the young people in downtown Manhattan jumping for joy like little monkeys upon the news that Osama Bin Laden had been killed, I had a torn feeling of NOT rejoicing upon anybody’s death, but yet feeling fired up for the people who in their whole memorable lives have lived under the “terror” lifestyle.  They didn’t get to live in the times where we thought our Country could do no wrong, and there wasn’t a global scene, just a national scene.  The world of Terror and the world of the World Wide Web have almost gone on simultaneously.  As our world gets smaller, so increases our knowledge of how this country of ours has been treating other countries for years.  There was little disillusion in their minds because for the most part it’s all they’ve known.  Moreover, with all of my loves for the people of this world, I am also hypercritical, short tempered, and lack patience.  I don’t appreciate hypocrisy, greed, materialism, profanity, and selfishness.  That basically means that, not only am I extremely judgmental, I am full of self-loathing. 
                But as I overcome these issues, and as I sat at home watching television, not going to school or thinking I would ever return, I started to notice that I wasn’t producing.  I mean, writing, artwork, photography, poetry, even brainstorming…it was all producing nothing.  My creative output was almost nil.  I realized that in order to decompress, I had to mentally accept the possibility that I wouldn’t go back to school, in order to go back to school.  You can get as Freudian as you want with that.  I’m not sure why that was, but it was just the way it had to be.  I had to know in my heart of hearts that I didn’t HAVE to go to school.  With my retirement, all I have to do is go to doctor’s appointments, take my kid to school in the morning, and kiss my wife good night.  That was it.
                Then it happened.  I wasn’t having hardly any creative output, nor structure, nor ANY social interaction, and I had to run to campus for a favor for my ex-art professor (I’m only an English minor, not major, sorry), and ran into Dr. Haugen.  She asked me when I was coming back to school.  It was at that instant, after seeing campus and feeling nostalgic for the good old days when I had purpose and fun, I said, “This Spring”…and here I am.  I came back with a fervor that I haven’t had in years.  I love that I’m back into school.  With my health issues, I am always feeling at the end of my rope, and just making it, at all times, but it is better than watching “Days” and “Price is Right” on a daily basis with no hope of tomorrow being a better day.  Now, tomorrow is a better day.
                Okay, so now I’m back in school, trying to finish the classes I need to get my AA, and move on to my BA.  I decided to take Dr. Haugen’s three hundred level English class, and was graciously asked if I could fill in an abandoned spot in the trip to the Athens Lit Fest.  I was one of the few that got to go last year, so I knew what to expect.  I knew what to hope to see and be a part of.  Last year was amazing.  Last year was so inspiring that I am still ironing out poems from inspiration from then.  So, heck YES, I will go.  And here we are.  Last night was great.  Rita Dove was inspirational and I enjoyed that very much.  Then Rosellen Brown did a reading of some of her work.  Although it was filthy, there was still great value in the way and power in which her characters interacted with each other.  A dying husband picking out his surviving wife’s next lover, and on his death bed, as he lay dying, he demands to watch his wife make love to this other man.  She gets graphic, not only with that story, but also the next about a half Jewish half African American woman getting laid and having a follow-up conversation with this guy and resenting the whole ordeal.  I didn’t find her work inspiring and now know to not buy her work.  As much as I might possibly find great worth in her characterization and plot twist, I profoundly hate in propriety and profanity; both of which she offers in great volume.
                However today, as Tobias Wolff was sharing, and giving his discussion, I was delighted for several reasons.  One was the free book table.  There were hundreds of literary and poetry journals for free today.  It was spectacular.  I ended up with a hand full of journals that are filled with inspiration waiting to be found with hopes of notoriety and desire to discovered.  I have written for journals before, and I understand that desire to be published.  Many of these journals I have seen in Poet & Writer’s Magazine in the submissions section, so I was eager to read some.  It was ironic that these Journals are so hard to get your work into, but yet they were sitting in front of me, costing me nothing but the gas money to get home; also the shelf space at my writing office, of which there is very little.  So they had no value other than a free almost unlikely to be read journal, which I wasn’t good enough to get into, was now at my will to do as I please.  I could not take it home with me, and that somehow was going to dismiss the power they had in my life.  I could take it and cast it in the trash, and teach those ignorant editor’s a thing or two, or I could do the right thing and go home and read them, enjoy them, and find value in, not just the human value, but value in the writing itself.  I could learn to be grateful that I wasn’t in some of these journals also.
                 The Second reason I was thrilled with earlier than today, was the lecture Tobias Wolff gave.  I had heard of him, of course, but hadn’t read him.  I may have read one of his short stories in one of my lit. classes.  My previous professors have excellent taste in reading, and I think Tobias may have been the writer of the many short stories I have read over the past four years.  Wolff spoke of writing to a writer needs to be like a priest at the altar.  It not only needed to be something that we put great work into, but something ordained and sacred.  He also spoke of one of our greatest teachers, other than constantly writing and instruction and so forth, is reading.  Reading needs to be a great teacher in our lives.  He spoke of how he started becoming a reader at a young age.  Back in the seventies, when I was a lad, we held the library to be a sacred place.  But we loved it there.  I had gotten into the habit of reading the books called, “The Big Little Books”.  And mostly they were biographies.  I read biographies of many of our founding fathers and more famous people of the great American history.  Also, I read the stories of Paul Bunyan, Pecos Bill, John Henry, Casey Jones, Danielle Boone, Davey Crocket, Johnny Appleseed and others.  I loved the old American Folk stories.  I ate this stuff up.  Well, I remembered fondly of all of this during Wolff’s talk.  In fact, I lost track of what he was saying several times because of the paths that he was leading me onto.  I do however remember the Tolstoy that I had read when he talked about this one story that I had read also.  But then he said something that I wrote down.  I specifically wanted to quote him on this.  He said that good writing can be, “….beat into existence, dragged down the trail, or let it be allowed to lead you.”  This is an excellent quote.  I think that this is so universal to all of us writers that we completely understand that.  He also said that, “…when I write fiction, I have no loyalty to memory, none…in no sense do I owe anything to memory.”  I admire that attitude, because I don’t know if I am there at all.  I use so much of my memory of life in my fiction.  In fact, most of my fiction is usually a retelling of something that happened in my life.  I hope however that the more I write, I will write that desire to share my life away.  That desire should leave me at some point, I assume.  I think otherwise I’d get tired of hearing my own voice.  I should tire of the sound of my prose, as it were.  I would like to move beyond this.  With short stories, like Pretend Park, there is not anything about that story that is inside of me.  But Wolff continued that his non-fiction is just the opposite.  This is all in a statement he made about his caution to all of us to be careful with the term, “Creative Non-Fiction”.  He commented how “Creative” and “Non-Fiction” really shouldn’t go together.  He spoke of how when it is proven to be false, it devalues true Non-Fiction.  His examples were stories of how the Jewish Holocaust impacted their childhoods, when in fact, it hadn’t.  This puts fuel to the flame that says that the Holocaust isn’t anything other than a series of stories—point taken.
                                Over all, and this point, I am having a blast.  The pace for me this year is much different.  It is still quite stressful on my body, but there is a minimal amount of walking.  That is due to the chronic tendonitis in both ankles and on my heal, plus the amputation, the open sore on the bottom of my left foot, and yada yada yada…  

Face to Face with my Hometown




In her book of poetry Sonata Mulattica, Rita Dove says that "we are props of a sort, let's not forget it". This became almost prophetic for me this weekend. I have lived in Ironton my whole life, so imagine my surprise when I walked up the stairs in the Kennedy Museum of Art at The Ridges in Athens and came Face to Face with faces from Ironton. I was shocked to see my hometown on the walls of the museum. Lloyd Moore lived in Ironton for fifty years where he worked as a lawyer. As we wandered the room looking at the pictures, we saw things and places we recognized. One man's shirt read "Lawrence County Regatta 1984" while a collage advertised a local church. It was surreal to see my life on the walls of The Ridges. Moore even has a book called Face to Face of pictures from around Lawrence County, OH. The museum had his book of display. While leafing through it I saw a picture of four little girls dressed as angels. Upon closer inspection, I realized that I grew up across the street two of the little girls pictured and graduated high school with another. It was even more eery to see people I knew and not just places or things. Seeing Ironton Face to Face in The Ridges may have been my favorite part of my trip to the Spring Literary Festival this year.

"If it didn't happen, call it fiction"

by Hayley Haugen

http://www.english.ohiou.edu/cw/slf_writer/1348
Tobias Wolff is a groovy guy with, as the graduate student who introduced him put it, "a sweet mustache." I liked how his head blushed when she said that. More importantly, I was so thrilled to hear him read his work tonight at the Spring Literary Festival in Athens, OH. You know you are listening to a master storyteller when he can read from a novel for thirty minutes and you don't lose the thread, when you know in that instant that you are now going to have to go out and buy said novel because you don't want to leave the characters just hanging out there in mid-conflict. Wolff also treated us to a reading of his much anthologized story, "Bullet in the Brain." Although I have read this story with my students numerous times, hearing Wolff read it -- quickly, embarrassed it seems, as he knows we've all read it, too -- made me feel as though I was coming to the story for the first time. How did he get to be this good?

At his lecture yesterday, Wolff explained that he never learned anything about writing from pointers. He views "craft" as an internal process. It is, he says, "something you do to yourself over time," a kind of "inner curing."

Wolff asks inspiring writers to think about the writers who make them readers, the writers who make them want to write. "The books we love," he says, "are the best teachers that we have." When I read Sharon Olds' poems in The Dead and the Living when I was an undergraduate in the time of fossils, I knew that my own genre would be poetry. When I later discovered the memoirs of Nancy Mairs, Leonard Kriegel, Scott Russell Sanders, Natalie Kusz, I thought, well, maybe some memoir as well. As I read each of my friend Wendy Mass' novels, I think, that looks like fun, perhaps some young adult fiction? As I dillydally in these various forms, I will do well to recall Wolff's reminder that the process of finding one's literary voice is a slow one, an "incremental" one, and that for writers, the "craft of being patient" is one of the most important crafts of all.

Finding Creativity: Athens 2011 -- by Katie Owens :)





The 25th Literary Festival Athens, 2011
Hello everyone!!! I'm new at this whole blogging experience and thought I would give it a try tonight, the FINAL day of The 25th Lit Fest 2011. This was such an amazing experience and I will DEFINITELY be coming back for years to come. The Readings and Lectures were held by Rosellen Brown, Rita Dove, Debra Marquart, Padgett Powell and Tobias Wolff. Although I had not necessarily heard of ALL of these authors, I will now own at LEAST one of each of their works.

The van ride up here was very comical and Hayley Haugen did an amazing job at navigating it ;) Everyone was so excited to arrive and start our adventures. When we arrived, I took pictures of the hotel and its surroundings after we checked into our hotel, The Ohio University Inn. Just a little suggestion to those of you reading this post, STAY IN THIS HOTEL IF YOU EVER GET THE CHANCE. The beds are sooooooo comfortable. Anyway, back to the topic at hand, we then went to dinner and our first Lecture with Rita Dove at 7:30. Rita is from Ohio and is an extremely talented woman. She is not only a profound author, but also a singer. I found this very easy to relate to because my passion lies with reading, writing, and singing as well.

Her topic of the evening was Romancing the Stone. She discussed many different uses of romancing the stone and the most inspiring example was that of King Arthur and his accidental pulling of the sword out of the stone that no one could retrieve with many strong efforts and dedication. Many people wished to pull the sword out of the stone for their own selfish behalf and Arthur did it in order to help another person out. The retrieval of the sword symbolizes the idea that pride and greed keep the stone embedded whereas if the approach is selfless, and only to serve and succeed in that serving, you can access and romance the stone in giving you what you wish to receive.

The three main keys to being receptive are biologically, mentally, and spiritually. Biologically is recognizing who you are at your best and analyze how you live your life. IF you write best in the mornings, force yourself to do so. If you write best at night, then you must do so also at night. Rita told of a quote by Toni Morrison saying "write until the light reaches the page." In other words, write until you feel comfortable with what you've got. Mentally you must learn to be humble, selfish, modest and bodacious. You must however feel as though nothing else matters in life but what you are writing with at the time. You should completely disappear before the writing begins. Spiritually you should never favor the easy way of doing things. No one can fix YOU but YOU. Life- is impetus for life. Craft- What tools we use. Medium- Language. You should make a poem with words not ideas.

Her 7 statements are this:
1. No excuses. Minority, gender, age, none of these are excuses for bad writing. You should "write as though you are the last person on earth"(Rita Dove).
2. Use a notebook not a journal. A journal is a completely different process. The notebook is fragmentary.
3. Every roadblock is an opportunity to explore the neighborhood.
4. It don't mean a thing if it ain't got that swing. But if swing is all its got, might as well take it on the road. 50% of writing is performance. The poem on a page can always be taken to the stage, but the stage can almost never be taken to the poem on the page.
5. While writing, never think of the audience, they will find you.
6. Words are living meaningful things, they contain life like human beings and have a musical signature whose shapes fill the mouth.
7. Silence is the shadow of the word. Finding the right word is a proper fit of the silence around the word.

In the question and answer section of the lecture, an audience member asked, "Being young verses now, how did your motivation change? Was there ever a time when writing felt like a burden? You've accomplished so much but do you ever feel like once you're finished, you've started at the beginning again?" Rita responded saying "I always feel like I'm starting at the beginning. That same feeling of being stuck on 1st base with no hope, but that doesn't mean that the poem I write will necessarily come out bad. I feel that feeling of desperation often, but now I feel like I have overcome it. That feeling never changes though, I always get that exhilarating feeling when I work" (Dove).

After this lecture, which inspired me greatly, we heard some readings from Rosellen Brown. She is a very descriptive reader with beautiful imagery and a mysterious tone to her voice. The next day we got breakfast at McDonalds and then went to the 11:00 A.M lecture from Rosellen Brown. Her topic was based on "Scenes you will not see, people you will not meet: Offstage manners." She even states a quote from Paul Simon saying "What isn't there helps you hear what is." This entire lesson is based on not giving the reader too much information which allows them to have a creative imagination in the process. In her book "Before and After" her main character Jacob brutally murders his girlfriend. Unlike many Hollywood films that show the murder taking place and the aftermath of this crime, Rosellen never allows the girlfriend's murder to be described or the girlfriend to be an actual active character. She says "a story can achieve greatness through silence" (Brown).


After this lecture we went to grab a bite to eat for lunch at an amazing Chinese restaurant and then shopped around on court street. Later we went to dinner at Bdubs (Buffalo Wild Wings), and back to the Baker Center that evening for more lectures and readings. Most people hear the word "lecture" and shudder assuming it will be boring and uneventful. However, all of the speakers were very entertaining and even humorous! The reading that night at 7:30 was from Debra Marquart, perhaps the author I connected the most with. Keep in mind during this entire experience I spoke to EVERY author at least once, even had conversations with them in the ladies room! They were all very humble and polite. Anyway back to my story, Debra was very influential to me because she grew up in a small town on a farm and experienced many of the same things as I did as a young child. She also played in a country western band, as do I. She read a few passages from her novel "The Horizontal World: Growing up Live in the Middle of Nowhere," which I thoroughly enjoyed. Later she read something she hasn't published yet called "The Other Woman" which related to the events she faced while touring in her country, rock, and metal bands.

Following Debra, another Author, Padgett Powell did his reading as well discussing his book "Interrogative Mood" which leaves many readers and listeners with questions and in deep thought. After these readings ended, we went back to the hotel and Brittany McFarland, Hayley Haugen and I went to McDonalds. We then came back to the hotel and crashed for the night. Friday morning we went out for a wonderful breakfast at Bob Evans before the morning lectures. Then at 11:00 Padgett Powell did his lecture based on the idea that no one can tell you what to write and the idea of a Craft without a Craft. He gave many words of wisdom and just to name a few: 1. the best stories come out of no where. 2. I can take a sentence apart and tell you why. 3. Learn to play your instruments then get sexy. 4. Some people run to more wisdom but I hold to the world. He discusses the idea that you should preach the story itself, not its content and the future becomes the present, the present becomes the past, and the past is just there.

Next, Debra Marquart did her lecture based on "The fragmentary Imagination: New, Ancient, and Experimental Forms of Nonfiction." She uses many quotes, one says "for fate dear friends is like a wet bank, it will always make you slip." There are now many types of non-fiction variations such as facebook, myspace, twitter, even what I am doing RIGHT now, blogging. There is no limit to the amount of creativity involved in writing, even in creative non-fiction ;) (inside joke for those of you who attended the lectures). After this was over we went to get lunch and shop on Court Street again. Then we went to the Kennedy Art Museum at the Ridges which used to be used as an insane asylum. While visiting the many different levels of the building we found many interesting paintings, pictures, and information. I actually saw one of my friends (Katy Barnett) in an exhibit by Lloyd E Moore in a book called Face to Face Photography. The entire exhibit was full of pictures from Ironton because Lloyd Moore, the photographer, was actually a lawyer in Ironton. We found it very exciting that a place we are from is included in a place this big! I took many pictures throughout this entire visit and WILL post them later as I figure out how to do so. Haha! Finally, we ate at a Mexican restaurant, then went to the FINAL readings for the evening featuring Rita Dove and Tobias Wolff. Both authors did a spectacular job and I cannot wait to read the books that I have of theirs!!!! :) Overall, this was a very intriguing, inspiring experience for me as well as everyone included in this trip to Athens for the 25th Annual Literary Festival. Thank you so much to Hayley Haugen for being there for us every step of the way, and inspiring us to write write write write write!!!!!!! Thank you to the Dean as well for allowing this trip to occur. I will be back next year, if funding is available, and look forward to yet another amazing experience with some phenomenal people. This is my blog.. goodnight everyone! God bless ;)

Pictures will be posted soon!

Sweet dreams.

Romancing the Stone with Rita Dove

http://www.english.ohiou.edu/cw/slf_writer/1351
by Hayley Haugen

Rita Dove's lecture at the Spring Literary Festival in Athens, Ohio last night was as inspiring as I expected it to be. 


She reminds writers that we shouldn't just sit around waiting for inspiration to strike us. We have to be both physically and mentally fit to make ourselves more receptive to possibilities in our writing. Whether this means simply writing at the time of day that we are most alert, or embracing the "curious mix" of being both "humble and selfish & modest and bodacious" in order to get our work done, Dove stresses that good writing takes hard work: "There are so many things you can do half-mast," she says. "Writing isn't one of them."
  
Every roadblock is an opportunity to explore the neighborhood -- Rita Dove


What I was most surprised to learn during Dove's lecture is that her Pulitzer Prize winning book of poems, Thomas and Beulah  began as an exercise. After having finished writing a collection of poems, Dove says she gave herself an assignment to write poems in third person for a while. Exercises like this, she says, help "take the pressure off." And just look at what emerged out of this little assignment! The next time my students complain about doing craft-honing exercises, I am going to pull out this handy anecdote. 

"Inspiration," I'll remind them, "comes to those who work."

The Athens Spring Literature Festival

by Hayley Haugen

When I lived in Los Angeles, Seattle, and San Diego, I was spoiled. If I wanted to go to a literary event, I could do so whenever I wanted. It's not an exaggeration to say that one can still find a respectable author giving a reading of his or her work any night of the week. If my poet friends and I didn't feel like listening to others read, we would arrange our own readings at local coffee houses. It was a small circuit of venues, but we were well-known within them.

What an inspiring time it was to be a young writer meeting ones literary heroes: Margaret Atwood, Joyce Carol Oates, Lucille Clifton, Tom Robbins, Quincy Troope, Galway Kinnell, the list goes on. I realize now -- living in Northeastern KY and teaching in Southeastern OH -- that all along I had taken those literary events for granted. I was a perpetual English major. I figured that was what English majors did with their free time.

Sadly, my students and I do not have the same opportunities for constant literary inspiration that I had when I was their age. Of course there is YouTube, where one can dig up contemporary authors reading their work by the barrel full, but if you've ever gone to a live reading by an author you admire, then you know it's just not the same.

This is why I am so thankful for the Spring Literary Festival that takes place in Athens, Ohio each year. This year, we are celebrating the 25th anniversary of the festival, and I will be accompanying ten students to the event. We will attend 12 hours of lectures and readings over a three day period, not for course credit, or brownie points, but for the sheer love of literature, for the chance to return to our own literary pursuits a little more inspired.

I have invited these students to blog about their experiences while at the festival. I hope that their responses will inspire  readers who can not make it to Athens next week to attend the festival next year.

http://www.english.ohiou.edu/cw/litfest/

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This blog is co-created by past and present members of the Ohio University Southern Literature Club; past and present editors of Envoi, our campus literary magazine; and other OUS students who enjoy reading and writing. It is a space for us to informally report on all things literary and to share creative writing efforts. Stay awhile, and feel free to comment and join in the conversation.



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