Richard Rodriguez Was Amazing

By Sybrina

I had the pleasure of meeting Mr. Rodriguez who is an amazing, humble person. He spoke of how he came to America to pursue his dreams and attended college. He spoke of the racial tensions he felt and still feels today in the way Americans view Latin American people. He felt embarrassed of his skin color and his ethnic background in his earlier years. In his book, Brown, he likens the Rio Grande to a stool sample stain on the American border. This profound metaphor speaks loudly of his experiences as a Latino in America. He made me squirm in my seat and humbled me. He spoke of how we are all the color brown and that America is not made up of Black and White people. There are brown people that have contributed to building this country, farming this country, and made it what it is today, yet they are exploited and treated as if they are stains upon our society. You could hear a pin drop when he spoke from his heart. He believes that modern technology is ruining our ability to communicate in language and how a letter, written by the hand, is so much more personal than a letter sent through cyberspace. We are all in a hurry and we don't take time to embrace what we have. He used Facebook as an example. If you are constantly updating your status on a social network, what else is there to talk about when you see your family and friends. It has all been said to the world. Writing properly, such as using correct grammar and punctuation is fading because of informal text messaging and words are now shortened to LOL or IDK. Our future rests on the generation we are raising now and it is scary. People don't even capitalize their names on forms anymore. Everything is informal. What will happen in the future if our language is lost? Are we so busy that we must lose that as well?

Terrance Hayes - Spring Literature Festival 2012

by Sybrina


The first poet I had the privilege of hearing was Terrance Hayes. He did not look like a poet. I had never seen a poet up close, but I was not expecting Mr. Hayes. He had to be at least six foot four and his muscular, yet lean frame stood confidently behind the podium. He was dressed in a T-shirt and jeans and his boyish charm quickly won over the enraptured audience. In his poems, he exposed his deepest self to a room filled with people. His deep voice resonated in the room as he read from his book Lighthead and spoke of being abandoned by his father and how the little boy’s heart that still beat inside him, was still breaking, still reeling in anger over his loss. He also made us laugh over life’s little inconveniences.
In his lecture on Friday, Mr. Hayes showed us how to dissect a poem, how to understand it, how to connect common threads between other poems. Immediately after hearing him read his work for the first time, I began to notice my surroundings in a different way. I don’t have to have a profound epiphany to write a poem. I can write a poem about my pain, my sorrows, my grief, or about what makes me laugh at the world around me. Mr. Hayes is a painter. He has a degree in painting, yet he is a poet. I asked Mr. Hayes what changed his mind? He said that there were paintings in the world that had emotionally moved him, but none had made him weep. He said that language, words, can move the human spirit in a way that is unlike any other and I couldn’t agree with him more.

Spring Literary Festival 2012

by Sybrina

I did not have the opportunity to post while attending the festival so I will be posting a blog on each author/poet as I am able to write them this weekend. With that being said, when I accepted the invitation to go to Athens and attend the Spring Literary Festival with Hayley Haugen and several of my classmates, I had no idea what a literary festival was. I pictured students out on the beautiful green lawn reading poetry and short stories, music and food, and of course, famous authors. Instead, I was treated to once-in-a-lifetime advice and instruction from five talented, published artists. I call them artists because that is what they are, except their medium is language and not paint or charcoal. I was transformed in their presence and in awe of their ability to make me feel happy, sad, afraid, expectant, and hilarity, all within two hour sessions. Each one of them moved and inspired me in an entirely different way. I now see the world through a writer’s eyes, a poet’s eyes. 

Terrance Hayes: (future poet laureate?)

By: Scott

Naomi Shihab Nye once said, “A person does not become a poet. We are all born poets. A person will either remain a poet, or forget that they used to be one.” This was a connection to innocence. As a child, it is certain we all had our favorite poems. (likely Seuss, but that is a-okay in my book) A child has a connection to the wonder of the world that we should all be so jealous of.


As this pertains to Terrance Hayes, our audience was treated to his metamorphosis from a painter to a poet. He said he always though himself a better painter than poet, but I contend that even as a painter Mr. Hayes had always been a poet. He was a poet of the eyes and not of the ears, and in this way had always been a poet even from inception, or as the saying goes: (I’m a poet and didn’t know it.) Now that we get to hear what Terrance Hayes has to tell us as opposed to seeing what he wanted to show us, he has opened us up to what could be called a weeping art form. Hayes let us know a very delicate piece of self today. He had never seen a painting that made him weep. Poetry however, has got the better of him. So he decided to quit painting and go back to his first love, his childhood love, as Naomi Shihab Nye would tell us:


…poetry…


I for one, am grateful.

Richard Rodriguez scares me just a little

By: Scott

I must be honest. I have been a little intimidated to write about Richard Rodriguez. As my roommate and fellow comic-book nerd so eloquently put it: "Doesn't Richard Rodriguez just make you want to write for forever and ever?" My answer to that was, "yes... yes he most certainly does." My ability to respectfully do his lecture justice in an attempt to write about it will be thin. My "penstrokes" will become childish. My vocabulary will become small. My intellect will diminish. Knowing this, please forgive the lack of clarity I impart as it pertains to what I have to say about Mr. Rodriguez. He spoke on the loss of intimacy in the digital age. Very meaningful, to say the least. Why should we write if we write to everyone we know every single day of our lives? People are getting tired of hearing from you over your Twitter account. If you keep updating your facebook profile every hour, there will never be a time in your life where you have anything more important to say to anybody other than "bout to head over to Taco Bell." How utterly insipid. Rodriguez spoke on one universally unavoidable truth for me as a struggling writer. A writer is not a writer until there is an audience. With no reader, a writer has achieved nothing. "To be a good writer you must be a good reader." I'm failing you Richard Rodriguez. The words aren't coming quite as easily as they have for me in my past, but hopefully someone is going to read this and be the fulfillment of your words for myself as a writer. If I can't write, or more accurately, I choose not to write, then I have failed myself as well, so I will keep on typing. There is far too much going on in my complex world to not write something. As Rodriguez himself stated quite clearly: "Writers block is to be blind to the intensity of our lives." For you, Richard Rodriguez, I will try to open my eyes.

Uncomfortable, yet so very perfect

By: Scott

I’ve often found myself entertained with the scribblings upon public bathroom stalls. This is important on a very ironic and special level that I will clarify in a moment.

We were graced with the kind and wise words of Amy Hempel and Denise Duhamel Yesterday. I certainly should have written about the experience yesterday, but I was so amused by some of the thoughts rattling around in my head that I had to take a bit to collect myself in an organized fashion. Amy Hempel feels like a sage, imparting a mystical wisdom upon any who might be willing to listen. It may be her silvery puffy hair or just her particular charisma, but she definitely demands attention. Denise Duhamel has a dry and quick wit. If you don’t get her jokes the first time around, she feels like the kind of person that would be so kind as to pause and explain to you why it’s funny, because that’s another gem of satirical humor of which she is such a master.

It has been said that important and meaningful writing should make us uncomfortable. It makes us remove ourselves from our routine. Breaks our concentration and kicks us right out of our comfort zone to force us to look at our world and ourselves in a new light. Amy Hempel brought up “The Aristocrats” as well as imparting a fantastic tale of ridiculous verbal combat between two individuals attempting to get the last word in on a doomed flight crashing as they argued amongst themselves. Terribly tragic for sure, if it weren’t so inconceivable silly.

The audience was released for a short break and I was inclined to visit the facilities. As a stark and overbearing contrast to the wisdom and high-brow education that was being imparted within the conference theater, I was compelled to take note of some scrawlings on the bathroom wall. It has been apparent that any good writer will make you question things that you take for granted, and while Duhamel and Hempel were getting things started back in the conference room after the break had passed I was reading such gems as: “Santorum: save us from Gay Marriage. Americas #1 problem.” Right next to that were the indelible words “What about the niggers?” All I could think was, “What about starvation?” On an adjacent wall was another scrawl: “God bless Tim Tebow.” I chuckled. Finally, and probably my favorite, was this diamond in the rough: “Jackie gives the best head.” What a motley crew of words, feelings and ideals, making us squirm just a little, yet we see their importance... and isn’t that what Amy and Denise are trying to teach us anyway?

Last Night

By: Scott

A little lead into this scenario before I begin this post.

If you've never been to the Athens campus, go. Go now. Now I may just be a small town guy but I'm well traveled, or, that is to say I'm not completely green. However, this campus is impressive. As a whole it is as large as the town in Oregon I grew up in; population 850. Knowing this you may wonder what possible claim I could lay to not being "green." Some other time for that.

The buildings are fanciful. I had never seen four escalators in a row to go up floors. We were on the third floor of Baker Center and the building was certainly impressive. I have photos but I don't have the ability to post them from my nook.

The architecture of the campus as well as the buildings themselves affected me, and last night as I slept in what was most assuredly the most comfortable hotel bed I have ever been on, (thank you, Ohio University Inn) I drempt. It went a little like this:

Last Night

Last night I met a new author
One of beauty
One of strength
One of youth
She shaved half her hair
And laid the other half
Back across the bristles
Of her artistic side
She roamed the halls
Of the conference
Hoping that someone would buy her books
One happened to be
Childrens' literature
As much as picture pages
Can be literature
She was counter-culture
She was hippie
She was sapphic
We stumbled into the same elevator
Of that spire of steel and stone
The cable snapped
And our box tumbled
Our bodies drifted weightless
Like a flight crew
Cresting a parabola
The containment shifted as if
There was no shaft
Just a free-falling elevator car
Floating
Like an icecube
Bouying in a glass.
Vodka?
Vermouth?
V-8?
We smashed on the sidewalk
I was strangely unharmed
Yet the girl was not
Her neck had snapped
The buildings were impressive
But a true architect
One of words, of ideas, of humanity
Was lost Last Night.

What You Don't Know Can Inspire You

by Hayley


I recently heard a short history of Ohio's Wayne National Forest. Did you know that beginning sometime in the 1800s, for a duration of about 100 years, the forest was systematically denuded for lumber sales and to clear the land for farming? Think of the Lorax, right in our own backyard! It wasn't until the Depression in the 1930s that the land was re-seeded in an effort to create jobs as part of Roosevelt's public works project. As I watched a video on this history and listened to the ranger at Lake Vesuvius, an image of a young girl formed in my mind. She is a farmer's child who once delighted in the woods surrounding Ironton, Ohio, until, over time, they slowly become "the bare hills." She is an elderly woman who lives long enough to see both the destruction and return of the forest and the amazing cultural changes taking place beyond the hills. Did she exist? I'm sure of it. Do I know anything else about her? Not yet. But I hear her voice and she inspires me. I think she wants to be part of an historical young adult novel -- or at the very least, a book of poems.


I am currently basking in the afterglow of the first reading/lecture of the 2012 Athens Spring Literary Festival. Tonight, Susan Orlean, author, most recently, of Rin Tin Tin: The Life and The Legend, encouraged would-be writers to not be afraid to "bring people to something that they otherwise wouldn't know about" to "make their worlds grow." Orlean believes "there's no story that isn't worth telling," and her words inspire me to dig deeper into the life of that young girl, that elderly woman, who is calling to me from deep within the history of the forest.
What in the world is calling to you, demanding that you pay attention to the call, whether or not you recognize the voice that's calling? Orlean claims that the "greatest stuff [in writing] is the unexpected." When was the last time you followed an impulse that led to surprising results?

Terrance Hayes, I aint even mad at you. Rhyme or no...

By: Scott

Oh,Terrance Hayes you sly dog. How dare you make me enjoy contemporary poetry! I grew up falling in love with the simple lines and delicate rythyms of Shel Silverstein. How dare you bring me into your world by pulling your world out of your pocket? Mr. Hayes presented himself behind the lectern garbed in a t-shirt emblazoned with the wonders of Orange Crush soda and invited me in to a hotel room occupied by himself, his father and his son. I am not ashamed to admit that I had to wipe clean a small patch of damp skin just above my cheekbone. Only just slightly damp.

I suspect it had never been published before. I can't go back and re-read it. I can't study it. He pulled it out from a little hidey-hole, this crumpled sheet of paper, unfolded it and then made me all soft. I've never wanted to rent a hotel room and spend the evening with my own father and son more so than I do just now. And if my own experience doesn't rhyme I might not even bitch about it.

2012 Athens Spring Literary Festival

Hello,


From Wednesday, May 9th to Friday, May 12th, six OU Southern students and alumni will be attending the Athens Spring Literary Festival. Check out their pictures and blog responses here during the event!


-- Hayley

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This blog is co-created by past and present members of the Ohio University Southern Literature Club; past and present editors of Envoi, our campus literary magazine; and other OUS students who enjoy reading and writing. It is a space for us to informally report on all things literary and to share creative writing efforts. Stay awhile, and feel free to comment and join in the conversation.



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